Lorna Stevens

  • Globe, Flattened, 2014, salvaged metal, 8.25 x 8.25" x .25”
  • Herd, 2014, charred wood, 10 x 8 x 1.5"
  • Winter Winds, 2020, ceramic, 7 x 6 x 1"
  • Trophy, 2005, sand cast glass with brass plaque and wire, 8 x 6.5 x 1.5"
  • Hunt, 2011, animal hair and pins, 14 x 14 x 5.5”
  • Repair, 2016, ostrich egg, lacquer and sand, 6.5 x5”
  • Passenger Pigeon, 2016, salvaged clay pigeons, 5 x 3 x 2"
  • Deforestation, 2016, salvaged lumber, native branches, photograph, birdcall audio, 7 x 3 x 3'
  • Huia, 2006, altered book with compact disc “Homage to the Huia,” original sound recording by composer David Hinckley, 9.25 x 6.25 x .75 "
  • God, Seed: Poetry & Art About the Natural World, a book collaboration with poet Rebecca Foust, 2010, 7.5 x 9 x .4

I’m interested in exploring the boundaries of culture and nature.

My work is conceptual; my materials and techniques are integral to, and representative of, my subject matter. I use clay and glass to make small fragile objects, organic materials such as branches to speak of the natural world. I make books to tell stories and I alter found objects to make new visual comments. When possible, I combine these elements into installations, often including the work of other artists who share my interests.

Share this Artist
  • Artist Info

    • San Francisco, CA
      US - Pacific
    • 4156022852

Follow Lorna Stevens