Taylor Moon Castagnari

  • Bird Filter Taylor Moon Castagnari Digital Illustration Printed on Metal ​ The advent of social media filters has altered our understanding of the true physical context of a subject in relation to the edited or artificially augmented environment, enabling one to choose the reality one prefers. In the illustration, Bird Filter, Moon depicted a Kingfisher with various filter gallery selections applied to it. The filters were given names, such as “Industrial Pollution,” “Car Window Collision,” “Agricultural Run-Off,” “River Contamination,” “Global Warming,” and “Human Disturbance,” as these are each variables that cause Kingfisher deaths. This work is derived from the original natural history print by Francois Nicolas Martinet of the Common Kingfisher and is mutually inspired by John James Audubon’s “Belted Kingfisher.”
  • Adding a pop-art twist to an antique owl print, Moon illustrates an owl-shaped pillow and a collectible owl action figure. Both of these products are inspired by contemporary toys and merchandise. These toys point to the human desire to own, subdue, and collect both things and animals. Though the toy bears the likeness of a lovable animal, mass toy production, itself, has detrimental impacts on the global environment and the animals that inhabit it. Packaging of consumerist goods has a short ‘in-use’ life span. Billions of tons of trash have been generated over the past decades. This work is derived from the original natural history print by John James Audubon entitled, “Barn Owl.” While Audubon’s print shows two owls feeding on a chipmunk in the wild, the illustration I recreated contrastingly portrays two plush-owl toys in a domestic context. Thus, the idea of the owl and the nature of the animal are juxtaposed.
  • Prior to the invention of the camera, journaling, plein air painting and outdoor illustration were the primary means of documenting nature. Creating a contemporary parallel with the former practice, Moon portrays an iPad housing her illustration, complete with a drawing software application and stylus. While using animal patterns is nothing new to popular culture, Moon wanted to emphasize how animal likenesses are being commercialized in the modern age. She simplifies the idea of the tufted cormorant into an art deco wallpaper pattern. This modern day print is inspired by John James Audubon’s antique print entitled, “Double-Crested Cormorant.”
  • Moon digitally illustrates the Bald Eagle, which has been a symbol of American identity as the national bird, in the form of a lego statue. While the present day legos are free from lead, vintage legos can contain lead, arsenic and cadmium. As of 2022, researchers discovered that 46% of bald eagles had chronic lead poisoning. The bald eagle ingests parts of lead bullet fragments used in hunting. Lead devastates the eagle’s nervous system and can cause seizures, brain damage, weakness, anemia, organ failure, and even death. The lego is also symbolic of building, creation, and construction. The bald eagle was considered critically endangered in the mid-1900s due to habitat destruction and degradation. Thus, the lego seems to be a suitable medium to portray the bald eagle, as human development and building was a primary cause of the bird’s severe population loss. Moon’s print is inspired by John James Audubon’s “White-headed Eagle.”
  • Feeding birds creates artificially high populations that cannot be supported by their natural habitats and causes disruption within the food chains. Moreover, feeding birds results in pollution, the spread of disease, and delayed migration. Birds, like humans, can also be prone to obesity. The concept of the ballooning, or bloated stomach, led me to illustrate the Summer Tanager as an inflatable balloon. This also creates a pop-art effect. Red is a color that stimulates the senses, including those directly tied with one's appetite. Thus, it is frequently seen in the branding of fast food establishments. Red is also associated with warnings for its ability to grab attention. This work is inspired by John James Audubon's Summer Red Bird.

Taylor Moon Castagnari is a contemporary, American artist and professor of design at California State University, San Bernardino. Her primary mediums are animation and digital illustration.

Moon received a double major in Studio Art, BA, and Art History, BA at the University of California, Santa Barbara. She received a Master of Fine Arts in Art from the University of Oxford.

In August 2022, her solo-exhibition, “The Drive-Thru Nation – Symbolic Representations of Flags in Everyday Life,” was exhibited at the Robert and Frances Fullerton Museum of Art. In this exhibit, she features artist Samson Kambalu in a combined interview and animation.

In February 2023, she garnered another solo-exhibition at the Sasse Museum of Art for her show, “The Balancing Act – Art, Psychology, and Technique in American Cheerleading.”

Moon was the subject of Samson Kambalu’s “artist pick” in Frieze, December 2020. In this article, her work “The Nomad” is highlighted.

Her animation, “The Faces of Each Generation,” was displayed by Las Laguna Art Gallery’s exhibition, Icons (September, 2021). Her work, “Lost and De-Colonial,” was exhibited in 2020 by Next Museum, a virtual museum in partnership with Museum Ulm and NRW Forum.

Moon took part in the exhibition, “Living-Room: In Between Realms” at Open-Walls, a virtual museum based out of Southeast Los Angeles (2020). She displayed her animated film, “The Quarantine from a Digital Virus” at the Spiva Art Gallery in Joplin, Missouri (August, 2020). Her work, “Wake and Review” was displayed within the Santa Barbara Maritime Museum in June, 2017. The American Medical Association’s Journal of Ethics published Moon’s animation, “Walk with Me,” in an article entitled, “An Animated Portrait of Inaccessibly High-Cost Care” (August, 2021). Her work, “The Greatest Show – Parallels Between Museums and Circuses” was exhibited in the 2023 GAMMA International Invited Art Exhibition in Seoul, South Korea. This work was also featured in Decagon Gallery’s FLASH #5 exhibition.

Moon became an Assistant Professor of Design at Missouri Southern State University at the age of 22. She later went on to teach as an Assistant Professor of Design at California State University, San Bernardino.

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