by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
Artist’s note: All images were created from photographs taken on or near the Shanahan Trail in Boulder, CO in April of 2022. The photomontages offer a variety of glimpses and perspectives. They are a labor of love, an effort to convey the visceral sense...
by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
INTRODUCTION HELEN MAYER HARRISON AND NEWTON HARRISON are pioneers in the creative development of art and ecology. It was Helen who read Rachel Carson’s Silent Spring, a critical influence in their decision in the early 1970s to do no...
by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
INTRODUCTION RADICAL CARE HAS BEEN defined as ‘a set of vital but underappreciated strategies for enduring precarious worlds’ (Hobart & Kneese, 2020, p. 2). Art can manifest as an important interface through which we allow ourselves to feel, grieve,...
by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
ZAC is a collective of six ecofeminist artists: Elena Redaelli (Italy); Karin van der Molen (Netherlands); Lucia Loren (Spain), Karen Macher (Perù), Imke Rust (Namibia/Germany) and Sally Kidall (Australia). INTRODUCTION HIGH UP IN THE mountain range of...
by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
INTRODUCTION THE MUSIC OF AUSTRALIAN COMPOSER LIZA LIM is a product of an empathy-driven ecological praxis that cycles through research, creation, and reflection. It emerges from her engagement with contemporary questions of ecological science and theory, the...
by Anna McGaraghan | Nov 1, 2022 | 13, Issues, Magazine
ARTIST’S NOTE: Essay is adapted from my artist’s book Castor and Sapient, 2020, for Science Stories online exhibition, University of Puget Sound. Collaborating scientist Peter Wimberger. I. PROLOGUE: A LOUSE IN MY LADY’S BEAVER CLOAK SOME 83,000 TO...
