by WEAD Editors | Jan 26, 2024 | 14, Issues, Magazine
Installation view, Berkeley Art Museum and Pacific Film ArchiveJuly 11–October 14, 2018 Photo by Impart PhotographyCourtesy of BAMPFA My work dwells in the not yet, the future potential of the unformed, where sound, weaving, and language interact to create new...
by WEAD Editors | Jan 26, 2024 | 14, Issues, Magazine
Coral Forest, part of the worldwide Crochet Coral Reef project by Margaret Wertheim and Christine Wertheim and the Institute For Figuring. Photo courtesy Lehigh University Arts Galleries, by Stephanie Veto. Introduction to The Crochet Coral Reef A project by Christine...
by Anna McGaraghan | Jan 26, 2024 | 14, Issues, Magazine
From the series This Bitter Earth, #1422 x 30 Pigmented linen pulp and abaca oncotton base sheet My practice is rooted in a search for universal evocations of loss and longing, often described as melancholia, the Portuguese saudade, or the Turkish huzun. I work with...
by WEAD Editors | Jan 26, 2024 | 14, Issues, Magazine
Flourish me different in wind and drift and breezes set sale always in motion and mindful adaptation, in not yet settled in fertile selection , in open folds and ceaseless creases, in remote reaches this was wrinkled and snagged touched stopped with what nature...
by WEAD Editors | Jan 24, 2024 | 14, Issues, Magazine
Evolution #1, Mixed medium on panels (diptych), 38″x72″, 2004 ‘In the depth of Karamatsu woodThere is a passage for me to walkMisty rain is falling on the pathThe mountain breeze circulates through it” Kitahara Hokushu’s poem, “Karamatsu Woods” (from which...
by Anna McGaraghan | Jan 23, 2024 | 14, Issues, Magazine
A paradigm shift is occurring and we are witnessing the continuing growth of art-making characterized by expanded connections and consciousness. Stereotypes of the artist genius (usually white male) enacting statements of ego, are being supplanted by art that is...
